[17] Garbo was a natural leader[18] who became interested in theatre at an early age. [13], Garbo was a shy daydreamer as a child. She was fourteen when her father died, which left the family destitute. [6][7] Garbo had an older brother, Sven Alfred (1898–1967), and an older sister, Alva Maria (1903–1926). Although Garbo was humiliated by the negative reviews of Two-Faced Woman, she did not intend to retire at first. Thalberg cast her opposite Robert Taylor and former co-star, Lionel Barrymore. She "lowers her head to look calculating or flutters her lips", he says. He exclaimed: "I am very pleased with the idea that this woman, with her severe and authoritarian presence, should figure in the decadent and rarefied climate of the world described by Proust. Garbo's parents met in Stockholm, where her father had been visiting from Frinnaryd. "[144], In 1937, Garbo met orchestra conductor Leopold Stokowski, with whom she had a highly publicized relationship while the pair traveled throughout Europe the following year; whether or not the relationship was platonic or romantic is uncertain. He moved to Stockholm to become independent, and worked as a street cleaner, grocer, factory worker and butcher's assistant. According to author Frederick Sands, "the result of the test was electrifying. You could see it in her eyes as she looked from one to the other. [19] Garbo directed her friends in make-believe games and performances,[20] and dreamed of becoming an actress. [26][75][76][77] Garbo's close friend Mercedes de Acosta then penned a screenplay for her to portray Joan of Arc,[78] but MGM rebuffed the idea, and the project was shelved. [36][37] On the verge of returning to Sweden, she wrote to her boyfriend back home: "You're quite right when you think I don't feel at home here... Oh, you lovely little Sweden, I promise that when I return to you, my sad face will smile as never before. The film was a critical failure, but, contrary to popular belief, it performed reasonably well at the box office. We children would be talking in very low voices, or just sitting silently. In 1930, a performer could receive a single nomination for their work in more than one film. The movie, however, met with controversy upon its release; censors objected to the scenes in which Garbo disguised herself as a man and kissed a female co-star. [81][82] The type of historical and melodramatic films she began to make on the advice of Viertel were highly successful abroad, but considerably less so in the United States. ", and was the highest-grossing film of the year. This lady's name is far more familiar than her face. [170][171] Towards the end of her life, only Garbo's closest friends knew she was receiving six-hour dialysis treatments three times a week at The Rogosin Institute in New York Hospital. 32. "She doesn't act", said Camille co-star Rex O'Malley, "she lives her roles. [98] The screen tests—the last time Garbo stepped in front of a movie camera—were thought to have been lost for 41 years until they were re-discovered in 1990 by film historians Leonard Maltin and Jeanine Basinger. When the film premiered in New York on 12 December 1936, it became an international success, Garbo's first major success in three years. Her performance caught the attention of Louis B. Mayer, chief executive of Metro-Goldwyn-Mayer (MGM), who brought her to Hollywood in 1925. Italo Moscati, "Greta Garbo, diventare star per sempre", Edizioni Sabinae, Roma, 2010. Asked in the early '30s about the German actress, she said, "But who is this Marlene Dietrich?" London: Martin Firrell Company Ltd. "Greta Garbo's first performance: a commercial. She called him "that poor little man who's always lurking". [79][80] Queen Christina was a lavish production, becoming one of the studio's biggest productions at the time. [159][160] Silent film star Louise Brooks stated that she and Garbo had a brief liaison the following year. [73] The film's success certified Garbo's successful transition to talkies. [22] At the age of 13, Garbo graduated from school,[23] and, typical of a Swedish working-class girl at that time, she did not attend high school. Ted Leyson once said that Greta meant a lot to him as a photographer and that it was his way (a strange way!) The film's screenplay had been written by Salka Viertel; although reluctant to make the movie, MGM relented at Garbo's insistence. She never signed autographs or answered fan mail, and rarely gave interviews. Greta garbo last photo auszuprobieren - solange wie Sie von den einmaligen Aktionen des Fabrikanten nutzen ziehen - ist eine intelligent Entscheidung.
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